Mendelssohn Concerto for Violín E Minor OP 64 HV

For the first time, this famous concert appears in a critical edition of the source. Ullrich Scheideler portrays how the work evolved, describes its sources and comments on the musical text. Well-known violinist Igor Ozim marked Mendelssohn's approved violin part, adding fingering and bowing marks as an aid to today's performers. It also provided a separate commentary showing that Mendelssohn's original piece already contains useful suggestions for shaping the solo part. The piano reduction, a revised version of the one that accompanied the first edition, fell well under your fingers, remaining as faithful as possible to the original piece.